Falling behind and catching up

Goodness. It has been WAY too long since we posted about what we’re up to. I guess that’s what happens when you’re busy living life–you have less time to write about it.

Let’s get you filled in, shall we?

Unwritten, the second book in the Windy City series by Helena Harte is out, and she’s taking a trip to Chicago in July to do some solid city research for book three! Right now, The Sister Act is with ARC readers, who are LOVING the fake romance. It’s out in June!

RJ Nyx has re-released the first in her fantastic Extractor trilogy, an intense sapphic sci-fi time travel adventure featuring bad ass women. Escape in Time is out now, and Change in Time will be out in September and can be pre-ordered now!

Ship of Dreams by Brey Willows is a Victorian steampunk romp featuring pirates and an opposites attract romance, as well as a cast of quirky characters. She’s just about to start her next book, which takes place in the administration offices of hell…

Ally McGuire’s release Heart of the Storm has had so much love (already more than 700 reviews/ratings!) It’s a city-femme, country-butch romance with lots of feels and plenty of snark.

E.V. Bancroft released Encrypted Hearts, a gorgeous, heartfelt Women at War book that makes you sigh with contentment.

Valden Bush has a new book coming out! Set in Africa, this Department Six novel is all about saving a kidnapped ambassador…and not getting distracted by the hot agent she’s on the rescue mission with. It will be out this year! Check out the first Department Six book, Breakout for Love.

Jo Fletcher released Back to Back, a lovely romance featuring two women who clash on many levels, but can’t stay away from each other. And she’s hard at work on a new romance set in the most romantic city around–Venice.

Karen Klyne has released Secrets of Her Heart, a beautiful age-gap romance featuring a single mum and a woman rebuilding her life.

And we’ve got new authors!

We welcome JP Preston and Sydney Lear to Butterworth Books.

Sydney Lear’s debut book, Racing Hearts, is set in the world of Indy race car driving. What happens when a driver in the fast lane dates a nurse who is a little more cautious? You should find out!

JP Preston has released Driving Me Barking, a fabulous British, first person story of falling in, and out, and back into, love. All while driving through London with an angel and demon on each shoulder, suggesting rather opposing options.

SapphFic Eclectic, Volume 6, will be out in June, to coincide with the Queer the Shelves Book Festival in Nottingham. And speaking of the festival…tickets have sold out! We’re three months ahead of the event, and there’s not a ticket left in sight. If you missed out and you want to get on the waiting list, give us a shout.

For more about the authors, check out the Authors page. Have you read any of these books? Are there books you’re looking forward to? Tell us in the comments!

For the Community by Brey Willows

My mom would kick your ass, and she’d do it in high heels without breaking a sweat. The butch women she dated would just stand back and not interfere, knowing full well she could take care of herself. That makes it sound like my mom was some kind of bar brawler. She wasn’t, really. She just didn’t take anyone’s shit, and she stood up for anyone she felt deserved better. Even now, she’ll whack someone with her cane if there’s injustice occurring. She taught me to never back down from a fight. When I was being picked on at school by a girl three times my size, and I was leaving campus at lunch to avoid getting beat up, my mom found out. She was…not happy.

Off we went to the principal, who said I should just, “curl up in a ball and wait for help,” should it come down to me getting beat up. I thought my mom was going to crawl over the desk and throttle him. Instead, she stood up and said, “Let me tell you something. If my kid is going down, she’s taking a piece of that girl with her.”

I was given a pass to leave campus at lunch from that point forward.

Weirdly enough, that’s why I write lesbian fiction. I grew up in a lesbian household that was out and proud, and I was surrounded by so many powerful, smart, kick-ass women. It’s easy for me to populate my books with the kinds of heroines that surrounded me all my life. I write for the community I grew up in, for the community I’m part of, and for the community that supports me. I write for the people who don’t have the kind of network I do, who need to see happy endings and groups of friends they just might find themselves one day.

Brey Willows’ story, A Love Letter to My Creations, is in SapphFic Eclectic, volume 5.

What If? by Robyn Nyx

I’m so lucky that my wife is also a writer. This wonderful journey we’re on, these events we organise, the authors we help to publish: all of it, we do together. And when we’re writing our books, we love putting Easter eggs in them from each other. Madison Ford, my intrepid investigative journalist from Let Love Be Enough turns up to report on the destruction at Vatican City in Brey’s Fury’s Death. In my latest romance under Helena Harte, Sanctuary, you’ll find a rescued horse that hails from the ranch in Ally McGuire’s July release, Heart of the Storm. So when she thought “What if I checked in with my characters?” and wrote her short story for this year’s SapphFic Eclectic, A Love Letter to My Creations, it wasn’t a leap for me to answer that with A Letter to Her, where Luca from Stolen Ambition has a little rant at me.

What’s wonderful about having so much fun with our writing is that we’re free to do that now. We have our own categories on Amazon and Ingram and everywhere else that sells books. We’re recognised and celebrated. We’re in mainstream bookshops. We’re on TikTok! All the young queers can find our books and see themselves within the pages, experience sapphic lives through our words. And isn’t that as important as it is amazing? When I was a kid, I couldn’t have dreamed of going in to a library and requesting a book about lesbians who were movie stars or stunt riders or FBI agents and who got their woman and their happily ever after. And now? We’re everywhere, and that’s just as it should be.

And that’s why this anthology is so important to us. It’s why this is our fifth year of creating a completely free anthology of new and established authors for your reading pleasure. Because words hold so much power, and publishing something so positive like this is absolutely essential for our continued march toward total freedom and equality for all the world over.

Maybe you could share your experiences of why sapphfic stories are so important to you. We’d love to read them.

SapphFic Eclectic Volume Five will be available via our Butterworth Books website from Monday 1st July, 11 a.m. GMT

Will You Answer a Question For Us?

Happy ever after. Happy for now.

Do we still need them?

At an event recently, a young person said she doesn’t mind when there’s a sad/negative ending to a gay character in a book. She said that’s the way stories are.

Admittedly, we were a little surprised. But then, that’s her experience in a generation that, while still fighting against discrimination and rights issues, has never experienced what it is to have no books, no representation at all. They’ve grown up seeing queer folk on tv, in mags, and even in celebrity news. While us older generations remember what it was like to be desperate to see others like us, and when we finally did, it was in books where the gay character died, or was put in an institution, or one of them went back to the man, many young people already have their networks in place. And wow…are they excited to find queer characters in books!

We go to Pride festivals and young people gather in hordes to pick up books. While they don’t need the happy ever after, they’re still desperate for that representation. And isn’t that interesting? With their own groups, networks, social media…books remain a place of safety where they can play in other worlds with people who love the way they do.

Our question for you, as we get ready to release SapphFic Eclectic, volume 5, is this: why do you continue to read LGBTQ fiction? Do you think there’s a difference in the way our generations drink it in? We’d love to know your opinions!

SapphFic Eclectic, Volume 5, comes out on July 1st!

Just start writing…

Ten years ago, I attended a literary event in Nottingham run by Victoria Villasenor. I had only just found sapphic books and was ‘eyes wide open’ to a whole genre I didn’t know existed. I could write academic literature, creating an argument and devoid of poetic description and emotion, but could I write a sapphic book?

              “How do I write a sapphic book?” I asked Victoria in the public question and answer section.

              “Just start writing, and when you have something, we can start to see what you’ll need to do,” she said.

During the next five years I spent a lot of time fiddling about going nowhere, all the while pretending I knew what I was doing. I never managed to complete anything worthwhile until the short story I wrote and sent to Robyn Nyx (Nicci), which she accepted for LesFic (Sapphic) Eclectic Volume One.

After I received Nicci’s edits, I could see that there was a lot I didn’t know and asked to attend a writers’ retreat with Global Wordsmiths, run by Victoria and Nicci. They obviously saw something in me, and I’ve worked hard since. With their guidance, support, and a bucket load of patience on their part, I’ve managed to write three books, Nero, Breakout for Love, and Brave Enough to Love. Currently I’m working on book four with a working title of Love in Africa. I’ve written a short story for Sapphic Eclectic every year as well.

The moral of this story is that Victoria gives out good advice. If you’re thinking of writing and wonder where to start. Just start writing and see where it takes you. Good luck!

Create it Yourself by Suzi Vilkman

From early in my childhood I have loved to tell stories. The more drama the better. I learned to read when I was four, and have loved reading dramatic, even tragic stories all my life. The Adventures of Robin Hood was one of the very first, and I would always come back to the tragedy of Lady Marian’s demise. The most memorable scene of The Three Musketeers was the death of Constance, D’Artagnan’s significant other.

Fast forward a few decades, I found lesfic. Or sapphfic, as the PC term appears to be. All my life, I have known that I like girls, hence finding lesfic brought fiction back into my life. Only now, I much prefer an HEA to a tragic ending.

Ebooks have been a lifesaver for me, as here in the backwoods there are no other options for finding lesfic, and I feel blessed to be bilingual. I read and write in English, and I also now have a degree in editing and proofreading in English.

This means that I cannot only read books that I love but also sometimes get paid to do it. Writing stories is an added bonus. One of my favorite authors said, if you can’t find the book you want to read, create it yourself.

When I saw the email about the next Sapphfic Eclectic, I got interested. I wanted to finish the story I was writing. I love age gap romance, and here the younger character is rich so there’s social discrepancy. The happy coincidence of love at first sight inspired this.

The young manager of her own company stops at a grocery store she’s never visited before and sees the cashier lady she is immediately attracted to. Now she has to figure out how to get the lady to notice her. A bit of a klutz, she makes a go of trying to steal her groceries. She already knows it is a bad idea, but so starstruck by the beautiful check-out lady she just works on instinct. The police called to the scene recognize her as her company has invented their new communication system.

The officers are shocked to see the young woman CEO held down by the security guards. She gets her chance, asks the lady out and to her surprise the check-out lady agrees. Hesitantly, as she is not in the habit of dating thieves, or even dating.

Suzi Vilkman’s story, Check Her Out, is in SapphFic Eclectic, volume 5.

Lurking in Their Words by Leigh Alder

I can’t remember not loving books.  From earliest childhood, I craved picture books and their glimpses into other worlds. After learning to read, I dove headfirst into the reality the author served up, and I stayed beyond the final word, closing my eyes and daydreaming, extending the story.

When I landed in university, I majored in English Literature. It kept me in a steady but daunting pile of novels that I had to read, although it usually wasn’t a chore. Still. Some of them were…challenging.

Around that same time, Olivia Records was in its nascence, Martina Navratilova was tearing up the tennis courts, and the second wave of feminism was trying to embrace sapphic culture. And in the midst of this heady milieu, I searched for more books.  But rather than getting mired in the often depressing and demeaning lesbian fiction of the 1950s and 1960s, I wanted books that better reflected me and the changing culture.

Enter Rubyfruit Jungle, a book about a contemporary young woman coming out and living by her personal motto of putting her money into her head, i.e. getting educated.

After my formal schooling, I took learning into my own hands and lapped up the sapphist classics like Virginia Woolf and Gertrude Stein and found myself lurking in their words, between their lines, and in their symbols.

Fast forward to 2024 and we’re in the midst of a lesbian fiction explosion. Everyone from wonderful indie houses like Butterworth Books to “Big 5” publishers is looking to represent lesbian literature. But much of what’s available seems to fall into the youthful romance category. So, I tailor my writing not only to increase overall lesbian fiction offerings but to show a wider range of experiences: older women, women in unhappy same-sex relationships, women who don’t have a clear, linear direction in life. Women like so many of us.

As a child, teen, and adult, I relished finding myself in the pages of books. I hope to bring some of that same happiness to other readers.

Leigh Alder’s story, Bomb Cyclone, is in SapphFic Eclectic, volume 5.

Sweet Wrappers and Juice Boxes by Rhiannon Grant

Sapphic books are important to me as a way to see myself represented in stories. I love to read – it’s a running joke in my family that I’ll read anything, up to and including sweet wrappers and fruit juice boxes – and I read widely across lots of genres, but there’s something special about reading a book, something a complete stranger wrote and published for the world to see, and feeling a deep connection with it. I get that thrill when I read a book set in the city where I live (which is not an especially common setting for stories, unfortunately). I get that thrill when I read about a character with the same body shape or neurotype or habits as me (which leads to a possibly unfortunate fondness for extremely meta books about people who love reading). And connecting with a character over shared desires, such as a shared attraction to women, is a particularly strong version of that thrill.

My interest in sapphic and other queer stories was shaped by what was and wasn’t available when I was young. I have always read a lot, but I grew up in Britain in a peculiar time when Section 28, a rule banning teachers from ‘promoting homosexuality’, meant that nobody felt able to talk openly about homosexuality in schools but a lot of people were thinking about it. Neither the absolute silence of genuine ignorance nor the kindly quiet of acceptance were available. Instead, much was silenced, thought or hinted at but not said openly. That sort of thing annoys me immensely and when teenage me realised what was happening I went to public library to try and discover the voices which were missing in my school library.

I didn’t find much, and what I did find was mostly about men – a biography of Elton John stands out in my memory as a near but not quite success, definitely leaving me with more questions than answers! So exploring sapphic books and seeing the way online book selling and networking enables readers to find what they long for as well as letting authors reach their audiences, supporting each other as we connect through our shared interests, is a constant source of pleasure and excitement for me. 

I talk about books and lots of other things on social media: @sapphicprehistory on TikTok, Rhiannon Grant on Facebook, @rhiannonbookgeek on Bluesky, and find other links from my website .

Rhiannon Grant’s story, Recoonection, is in SapphFic Eclectic, volume 5.

Pure Indulgence by Maggie McIntyre

When I came back to fiction writing in the summer of 2018, it was like turning a key in a rusty lock of an old garden gate. I had been so long away that all my creative muscles had almost atrophied. I felt like the poor woman in the 18th century who was locked in an attic for twenty years by a sadistic husband, and now I could dance and play again. But my imprisonment had been self-inflcited.

I was writing. I had just completed an autobiographical account of my life as a grants assessor travelling around the world , which had been the first  full length manuscript I’d completed since my thirties. 

But then I discovered fanfiction,  especially Archive of Our Own and delved into that wonderful resource, marveling at the talent of so many writers. I had a go myself, and ended up writing more than 480,000 words across twenty two stories for Carol and the Devil Wears Prada collection. It’s immediate, it’s free to post, the community is generous and caring, and it’s anonymous. You live or die by the quality and appeal of your writing, simple. 

But then I wanted to escape the clutches of DWP and wrote my first, very bumpy sapphic novel, Isabel’s Healing, for which I was lucky enough to win the Lesfic Bard award for new writing, and those locked gates against passionate sexy fiction were well and truly opened.

 It was a simple, age-gap, opposites-attract novel, by no means perfect. But it’s still probably my favourite. Isabel started a series, all set more or less around a women-led aid agency in London, with five more novels following the adventures of Isabel and friends.  The fourth in the series, Love Under Lockdown, was runner up in the Lesfic Bard awards for Romance in 2022.  

I have also written four novels set in California media land, with the second of those also being a Lesfic Bard runner up , this time in ‘action and adventure’, a stand-alone novel, and my own miniseries of fantasy adventures based on the late Roman empire.

I write because I love it, pure indulgence, whether with scratchy pen, fading cheap biro, laptop, desktop, tablet or phone.  It’s like dancing and I think it’s an incurable disease! The only thing I hate is marketing, which is why you’ve maybe never heard of Maggie McIntyre!

Maggie McIntyre’s story, The Seduction of Rosie Barnes, is in SapphFic Eclectic, volume 5.

Disrupt and Disentangle by Louise Morley

I’m an academic moving (slowly) into writing fiction. Why? I get so frustrated whenever I get the rare opportunity to read fiction myself. So many of the literary hot reads are profoundly heteronormative and bereft of characters who come anywhere near my experiences, feelings, aspirations. The LGBTQAI+ community, when allowed to enter, is also often represented in simplistic, monochromatic ways, with limited opportunities to intersect sexuality with other structures of inequality such as age and social class. And yet our lesbian lives are so diverse, rich and complex, and overflowing with dramatic opportunities! There is also an abundance of comic gold! The dating scene itself is like a gripping detective novel – trying to work out what on earth is happening and whether these people are really who they say they are!

I attempt to include different sources of knowledge and data in my writing. I’m a sociologist who has worked on five continents. I’m a public speaker, researcher, and academic writer – mainly on the topics of power, inclusion, equality, difference, and diversity. But I am also active on the lesbian scenes in London and Brighton, and regularly encounter situations that intrigue, puzzle, and excite me. They are screaming out to be explored, analysed, and narrated. I often find myself drawing on theories of micropolitics – that is how power gets relayed, withheld, and communicated through everyday practices, exclusions, coalitions, and language. It can often be via throwaway remarks that people reveal information about themselves, for example. I find that my sociological imagination can be extremely helpful in analysing the complexities that lie behind surface presentations.

But it also provokes accusations from some people that I overthink – something that I hotly deny. Critical thinking is central to my existence, and I won’t apologise for this feature! I also try to bring my insights from therapy into my understandings of relationships, anxieties, and responses. All around me, I hear platitudes, binaries, and certainties that I want to disrupt and disentangle. I used to try and provoke and stimulate in my academic writing and keynote presentations. Now I am aiming to do this via my storytelling. Join me?

Louise Morley’s story, Dear Lesbopops, is in SapphFic Eclectic, volume 5.